
Its windy outside. Nice windy, though it became tough to walk. The wind wasnt cold that made the walk likeable. The wind has turned the view of the strip from my window dusty as well.


10. Every time Bond comes out of water like a Barbie doll :). Thank you(the makers) for keeping the female audience in mind.

They have interesting things coming their way. The story unfolds in an unusual fashion. By the end of it you might feel the gist of it is nothing all you hadn’t seen so many times before. Though while it’s unfolding you can’t predict what will happen next. The rate at which they rush into one thing then another keeps you busy wondering.
Delightful ! Delightful!
The story of an estate owner in the times of Louis the XVI, whose estate is impoverished and people plagued with disease all because of the water which stagnates on their lands. Seeing no way out but to seek assistance, he decides to plead his case with the king at Versailles.
And so takes place a delightfully entertaining adventure of this man out to help his people out of their misery. But to get the help he has to literally put his wits to test. Because in those times to move up the social and ladder and be in the king's sight would have been the easiest if you were a master of the wits.

The unique atmosphere of the movie is achieved by an unerring eye to detail, unflinching originality in these minute details and a million more things which I can not put a finger on. Another remarkable and rare thing: the sparing use of soundtrack. Most of the time it has silence mixed with the environmental sounds.
Its perfection also stems from the characters; to every scene to every conversational intercourse, every gesture. It is acceptable even for the greatest of movies to have a little leeway when employing characters who have a very short screen presence. You don’t have the luxury of developing characters, and in such cases clichés rescue you by providing a device handy to use anywhere. You can use them for plugging story telling loopholes or to move the story forward quicker than it can. Not to mention by detailing out too many characters (which are not central to the story) one risks losing audience’ interest.
Jack Nicholson’s character Jake is frill free. And so is Faye Dunaway’s. Brilliant performance, both of them. They have created two people who are a nice mix of very real and very cinematic. Their performances are outstanding. Jack Nicholson's character is drawn out very well in the opening scenes of the movie. The economy of space and time that has been practiced here is impressive. As the rivetting plot opens up and unfolds in front of you, at the same time in those same moments you get introduced to Jake and his world. And his cahracter just goes on acquiring more shades as the movie progresses. Faye Dunaway has also her share of spell to cast on the audience. As the wife of one of the cities rich and powerful men. The drawl in her voice, The dead pan yet strangely enigmatic look she bears on her face just heighten the sense of mystery surrounding everything and her.
The movie’s trivial-est characters are also sharp. I mean every one of them. From the woman pretending to be Mrs Mulwray to Roman Polanski’s brief part as the man who slits Jake’s (Jack Nicholson) nose, to the officer accompanying Lou who does nothing but snicker.
You watch Jack Nicholson in this movie, and you marvel at the expert dexterity with which he has brough the character to life. You can revisit this movie just to study his character (and few more for other reasons), and his magnificent performance. Unlike the "teeth baring", "raised eyebrow" specimen he has become. The numerous characters he has done in the last few years, one seems an evil twin of another. The Jack Nicholson typecast that had crept into his character reminds me of the woe of Nana Patekar. Both fine actors, victims of gruesome typecast.
This man Roman Polanski is a master craftsman. This movie can be treated as an example what cinema achieves for you, how it should be treated; and in Roman’s hand it’s a toy. He has made this movie so compact, not even a whiff of air from the world around would seep into it. No moment in it has been put callously. No turn careless. While you are watching it, you are seeing a beautifully well knit story.Though it is a plot driven thriller, its greatness lies in the perfect execution of this film. Even a thesis on this movie might not be able to cover, all that this film has achieved. And what others should look up to, before daring to think they are filmmakers.




It was a weird day. After a long time I was probed out of my shell. I was wondering who I am again. Who we are? Why we seek friendship? Why the need to share? Why are we mistaken? Why all that is important never absolute? Why do we compromise on affection? Why it hurts? Why we cry?
I hated to see Daniel Day Lewis like this. I know he was acting, but I felt bad for him. True actor. Not to the magnitude of Marlon Brando in “A streetcar named desire”, but still. Camilla Belle was good too as his daughter. But I didn’t feel rewarded by a beautiful performance, something was missing. Or maybe something was overpowering, “the sympathy for the eccentricities”.